I heard The Weavers, but we didn’t have the black end of the folk spectrum: I can’t remember a Josh White record, for example.”. We want to do proper blues, proper jug band music, which we had already heard. In the late 19th and early 20th centuries, New Zealand’s standard of living, based on the export of agricultural products, was one of the highest in the world, but after the mid-20th century the rate of growth tended to be one of the slowest … At a board meeting of the stalwarts of Wellington’s R&B scene, Bill Lake would sit near the top of the table. By this time I was 12 or 13.” At the same time, Lake liked Elvis and Little Richard “in that period they talk about as the ‘dead’ period of rock’n’roll”: his sister was a fan of Bobby Vee, who was hired to front Buddy Holly’s Crickets after the plane went down. Selwyn College. With his closest friend in Canberra, Gilbert Burgoyne, and another guitarist, Lake formed a jug band in about 1965, soon after leaving school. Built with pride and integrity by professionals, they build a large variety of beautiful, structurally sound and energy efficient homes. The guitarist was chasing a girl, the daughter of the New Zealand trade commissioner, who had returned home. “Geoff took great pride – and Rick did too – that, as people who played real blues, we were out of place in the folk scene, which consisted of Dylan, and a lot of English folk.” While the folk scene was eclectic, its preference was for the British variety and its virtuoso guitarists such as Davy Graham, Bert Jansch and John Renbourn. From: Auckland Libraries. In the group were Lake and the Rashbrooke brothers; Rick Bryant joined shortly afterwards. “There was a version of blues from people such as Max Winnie and Val Murphy: it was definitely blues, but it wasn’t back in the 20s like us, it was probably based more on Josh White, Big Bill Broonzy, and Brownie than what we were about. “So it happened that quite often with Rick Bryant out front hollerin’, and Bill Lake huffing and puffing on an assortment of mouth-organs. “Milton reputedly described the Original Sin as ‘cavemen’,” says Lake. Over the years Bill has also developed in to one of the country’s best singer-songwriters. “I was much too primitive to learn what he had in mind. In a way, Original Sin became the patron saints of the numbers of revolting, also-ran R&B groups of the time.”, Original Sin, Battle of the Bands, Lower Hutt, 1967. For New Zealand teenagers who came of age during the heyday of The La De Da’s and The Underdogs, that may well be true. Janis Joplin and Rolling Stones on the turntable, over and over, flagon beer and, occasionally, “really horrible wine”. From left: Rick Bryant, Mike Rashbrooke, Geoff Rashbrooke, and Bill Lake. List of prices in Auckland (New Zealand) for food, housing, transportation, going out, and more on Feb 2021. We want New Zealand to be the most liveable place in the world, with healthy lakes and rivers and the best possible water quality. I was trying to sleep, and they put on a reel-to-reel tape of what turned out to be The Freewheelin’ Bob Dylan.” On the other side was a woman with a high, pure voice. Lake’s education in roots music began in Canberra, where his father was with the national library. “Which we took as a compliment!”, The Original Sin was uncompromising; Roger Watkins describes the group as giving the impression “everything could collapse into utter chaos at any moment. Opens spaces above empty shops. Walk the sun-drenched sands of Golden Bay or head inland to Takaka and see the impossibly clear waters of New Zealand’s largest freshwater springs. But the young blues scholar was fully aware of the Rolling Stones, enjoying their early country blues original ‘Good Times Bad Times’ as much as any reader of Go-Set. They learnt several songs from the recently released Jim Kweskin Jug Band album, eschewing Kweskin’s vaudevillian tendencies for the straight blues numbers. He and Lake were in Original Sin together, Bryant was also in Gutbucket, and Mammal began to form the following year. “I couldn’t. Also, Lake grew up in Australia where, he thinks, more records from the United States were played on the radio, whereas in New Zealand there were local bands covering British bands playing the blues (and pop). By 1957 Lonnie Donegan was in the hit parade and on television with his own genre, skiffle. The scholarly approach of these players – and Pearce – laid the groundwork for Wellington’s dedicated and informed diet for the blues. He asked what I liked, and when I said acts such as Lightnin’ Hopkins and Lead Belly, he said to my father, ‘I don’t think I can save this guy.’ Obviously I was never going to be a jazzer. Walk the three-to-five day Abel Tasman track or, for a different view, take a sea kayaking tour around the coast and see a seal colony and little blue penguins bobbing in the water. (. As well as a dedicated songwriter, guitarist and band leader since the late 1960s, Lake has been a scholar – of Mississippi country blues, and of philosophy. “We’d rent them out and play, people would dance and drink. “This other friend had actually been called up. That one big difference is value, and the definition of value is relatively simple. Slightly older, Lake’s experience was different. A trust linked to billionaire Bill Gates paid $21 million for an equestrian estate in a gated Wellington community, near his Evergate Stables property. The other guy sang and played kazoo – I’ve been allergic to it ever since.”, The band practised more than it performed, though once its members were recruited at a pub by the prominent Australian artist John Percival, who gave them £5 to come back to his place and play at a private party. If Bill Lake had done nothing else he would still be a hero in this happy household for his witheringly accurate Banana Dominion (about the Muldoon years) on the album 8 Duck Treasure by the Pelicans way back in '83. Each state administers its own LIHEAP, so each individual program may have different eligibility requirements and guidelines. He was 20, and as I recall there were voices over the Tannoy on the wharf saying, ‘Owen O’Brien, please report …’ He didn’t, of course, and we stayed low and we got away with it.”, (Lake later heard from his father that half of all birthdates in Australia were drafted to do compulsory military training, and draftees could be sent to Vietnam. The Original Sin was “sort of the house band” at this casual place, which later moved to Tennyson Street next door to Club 25, the premises of a motorbike club “with a bit of a reputation.”, They were all the same, these venues, says Lake. He didn’t know that her name was Joan Baez. Your email address will not be published. Ground zero for the city’s counterculture was a bar in the Duke of Edinburgh, a pub on the corner of Willis and Manners Streets. Don't be fooled by the name of this place, it's more than an exhibition about cars. all lenders & title companies without the original tax bill must include $5 for a duplicate bill fee per parcel. Arriving in Wellington in 1967, Lake quickly found musician friends with a taste for blues. Even in the blues/R&B spectrum, we were at one end, the rough end, and then there were people who were much better players than us, and bands who played really well.” Among them was John O’Connor of the “wonderful” Supernatural Blues Band, Chris Seresin of Steampacket, and Milton Parker of The Relics. Sydney University was a hotbed of slightly older intellectual talent such as Germaine Greer, Clive James and Richard Neville. Bill Manhire once described Wellington as a boutique city. A prominent New Zealand blues guitarist – of the electric variety – once told Bill Lake that any local blues players were lying if they didn’t admit they learnt about the blues from John Mayall. He has also been a leading songwriter, for groups in which he has been a member – The Windy City Strugglers, The Pelicans, and The Living Daylights among them – and for many other artists. 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